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FREE THE MIND OF ANALYSIS BECAUSE IT HAS NO MEANING

HARMOLODIC / FREE JAZZ / POST / HARD / AND BEBOP / FUSION / RAGTIME / AVANT GARDE / JASS / SHOUT / 3RD STREAM / STANDARDS / BIG BAND / BLACK MUSIC /FREE JAZZ / POST / HARD / AND BEBOP / FUSION / RAGTIME / AVANT GARDE / STANDARDS / BIG BAND / BLACK MUSIC

18.2.10

Lebenese Chickpea and Potato Stew

Lebanese-Style Chickpea and Potato Stew

2 medium onions (3/4 lb. total weight)

2 medium potatoes (3/4 lb. total weight)

1/2 cup olive oil

6 large cloves garlic

42 ozs. good-quality canned tomatoes (e.g., Muir Glen brand), or substitute 18-20 ripe Romas

22 ozs. canned chick peas (or substitute home cooked)

3/4 teaspoon black pepper

Cayenne pepper to taste (optional)

2 1/4-3 teaspoons salt (to taste)

5 large scallions

Small bunch Italian parsley

15 ozs. clean baby spinach (or substitute cleaned and stemmed bunch spinach or chard)

1. Peel and chop onion medium-fine. Peel potato and cut into 1/2-3/4 inch cubes; keep in mind that smaller pieces cook faster. Heat a heavy, wide saucepan or skillet on medium-high heat; add olive oil. When oil is hot, add onion and potato and cook, stirring as needed to prevent sticking, for 10 minutes or longer— just until some of the onion colors gold around the edges and potato pieces are trying to stick and brown onto bottom of the pan. Toward the end of the cooking time, turn/scrape with a wide metal spatula/pancake turner.

2. Peel garlic, trim off root nubs, and press or mince very finely. Drain tomatoes, but save the juice. Chop tomatoes finely and set aside. Using fresh tomatoes, save tomatoes and their juice together. Drain chickpeas; discard liquid, if canned. If freshly cooked, save cooking liquid to use for soup stock (can be frozen); or use in this dish in place of water if sauce needs thinning.

3. When onion/potato is ready, add tomatoes and 1/2 the saved tomato juice. Scrape pan well to deglaze, reduce heat to low, and cook together for about 3 minutes. Add the chickpeas, garlic, pepper, cayenne, most of the salt, and some of the remaining tomato juice, if too dry. Cover and simmer on low heat, stirring occasionally, for 10 minutes.

4. Meanwhile, trim off roots and chop scallions—white and green parts. Stem enough parsley leaves and chop medium-fine to make 2 large handfuls; set aside with scallion.

5. After stew has simmered 10 minutes, add spinach, tearing up any large leaves. If stew is too dry after spinach wilts and incorporates, add remaining tomato juice and/or a little water; use some chickpea liquid, if peas are fresh-cooked. Stir well, cover, and simmer 5 minute. Taste and correct seasonings. Stir in chopped scallions and parsley, cook together another 1-2 minutes, and serve. Good with pita or French bread, or over rice or quinoa.

6 servings

My Favorite Sun Ra Albums - Sun Ra - God Is More Than Love Can Ever Be

This is the first installment in my top-whatever list of favorite Sun Ra albums. They are listed in no particular order.



It is so rare to hear Sun Ra in a small ensemble setting, let alone a trio. Here we have Saturn LP 72579:

Side A:
Days of Happiness (Ra)
Magic City Blue (Ra)
Tenderness (Ra)

Side B:
Blithe Spirit Dance (Ra)
God Is More Than Love Can Ever Be (Ra)

Ra-p; Richard Williams-b; Luqman Ali-d. Recorded 7/25/1979.

Luqman Ali, WOW. One sick drummer. He is remains a lifer in the Arkestra, continuing to perform under the direction of alto saxophonist Marshall Allen, who has been in the Arkestra since damn near the beginning.

This is a HOT album, straight up. High energy, it swings. Some might say it is a little straight forward for Sun Ra. I don't think so; I think that sans Arkestra anything could sound a little tame. What I can say is that hearing him with only bass and drums is nothing short of awesome. Mr. Ra tends to lay back in his larger ensembles; Arkestra recordings are more composition oriented; here you have Ra playing jazz piano, straight through.

I'm not too sure about the rarity/availability of this LP, but I'm not too familiar with it, which means it must be a little obscure.

download link in comments

2.2.10

Fred Anderson and Hamid Drake - From the River to the Ocean

Photobucket

Hamid Drake is definitely one of the most exciting drummers in jazz music. His collaborations with William Parker are nothing short of amazing. Likewise his work with fellow native Chicagoan and elder statesman of jazz Fred Anderson. I've seen Anderson and Drake a handful of times in concert, together and separate, and every show has been wonderful. The thing I like about the two of them is that they work within a broader spectrum of jazz than most musicians do. There will be wild, free improvised solos that maintain a deep swing. There will be traditional jazz forms, passages in the music that could be labeled jazz in the strictest sense, yet don't sound like they are locked within the rules of the music.

Hamid Drake is an interesting fellow. I read somewhere he is a practicing Sufi. In his music he is all over the map. I saw him with a European free-form avante garde group whose music was more "art" than music; he took a 15 minute drum solo that was some form of abstract, off kilter, hip hop beat. He'll quote heavy Latin rhythms underneath wild, free form, noisy, ensemble improvisations. On more than one occasion I've seen him come out on stage alone and sit and play a large frame drum and sing in Arabic (something Hamid does on this record; the cover of the album is Hamid holding this frame drum) and literally "clap" the floor with his bare feet. And there is always a heavy presence of Reggae (he just release an album called "Reggaeology" with his group Bindu).

From the River to the Ocean is a beautiful record. I can't stop listening to it. And I think that it is a record that would appeal to just about everybody. From the hardcore free-jazz enthusiast, the more traditional jazz listener, and the music fan who may be a jazz noob.

Check it out. And if you like it, buy it. Purchase via Thrill Jockey Records. Musicians like these need our support.

25.1.10

Paul Murphy Jimmy Lyons Karen Borca Mary Anne Driscoll

This is a rare look into the rehearsal for the album Red Snapper CBS & RCA studios. Freely improvised sessions. This album was originally released privately with small distribution. The CD is now available from Cadence Jazz records. Jimmy Lyons-Alto Sax, Paul Murphy-Percussion, Mary Anne Driscoll-Piano & Vocals, Karen Borca-Bassoon and John Coltrane's world famous trumpet player (from his profoundly momentous 'Ascension' recording) Dewey Johnson.

2.1.10

stanley cowell - new world



01. 'Come Sunday' - 8:39 (Duke Ellington)
02. 'Ask Him' - 4:46 (Cowell-McBee)
03. 'Island Of Haitoo' - 4:14 (Cowell-Scott)
04. 'I'm Trying To Find A Way' - 7:27 (Cowell-McLaughlin)
05. 'El Space-O' - 8:20 (Cowell-McBee-Haynes)
06. 'Sienna: Welcome To This New World' - 2:43 (Stanley Cowell)

MUSICIANS

Piano, electric piano, prepared pianos, kalimba, hammond organ, orchestra chimes, occasional backing vocals - Stanley Cowell
Bass - Cecil McBee
Drums - Roy Haynes
Percussion - Kenneth Nash
Alto, Tenor and Bass Trombones - Julian Priester
Trumpet, Electric Trumpet, Flugelhorn - Eddie Henderson Piccolo, Flute, Clarinet, Tenor Saxophone - Pat Patrick
Cello - Terry Adams
Violin - Nate Rubin
Vocals - Judy Lacey , Linda Mandolph , Robert Mandolph

PRODUCTION DETAILS

Recorded at Fantasy Studios, Berkeley, November 1978
Arranged and Conducted by Stanley Cowell
Producer - Ed Michel
Engineer - Baker Bigsby
Assistant - Wally Buck
Mastering - George Horn
Art Direction and Design - Phil Carroll
Photography - Phil Bray

stop by never enough rhodes to view original post and get the link to the album. remember to thank them for the info!

24.12.09

Mombasa - African Rythm & Blues 1975


ok so you gotta check this one out -

hot hot hot -

mid 70's - spiritual, african, inspired.

etc.


Credits

Notes

Originally released in 1975 in small amounts on vanished german Spiegelei label.
In memory of Lou Blackburn, the first 100 copies limited vinyl edition include a special Mombasa art card donation. Included card is handmade by the people of Options Care Centre, a non profit organization in South Africa to help AIDS victims and abused women.


get it here at musicology

23.12.09

Rev. Frank Wright Quintet - Live in Moers '81



ok, so, seriously folks - we all know how few and far between frank wright recordings are. and we all know that pretty much every frank wright recording is about as good as it gets. that, combined with the fact that the frank wright albums that are actually in existence (for christ sake, for a musician of such stature, he was so poorly documented), makes us ESPECIALLY lucky that the person(s) at inconstant sol have made available a live and previously unreleased recording of mr. wrights quintet. OMG. as i write this i am listening to it again and...just download it. it is a gem. frank wright is one of a handful of modern musicians whom words do not describe. he was someone who should be listed in jazz history next to armstrong, coltrane, davis, parker, sun ra, mingus, ayler. yet amongst his contemporaries, he was the least recorded, and the few albums that do exist, are either out of print (including the reissue), hard to find, super expensive, or unheard of. dang dog.

i've yet to be more moved by any other musician. frank wright, albeit hard to say, tops my list as my favorite jazz figure of all time. and i can say that now because for years he has been so - i was maybe 21 when i bought a copy of "kevin, my dear son" at house of records in eugene, oregon. my friend jeremiah and i went back to my house (he talked himself out of buying a copy of the album cause we had only heard ESP disk's frank wright trio, which hadn't sunk in yet) and put it on, and about 30 seconds into the first song, he says to me while staring intently at the spinning record "damn dude i should've have bought this."

next i got my hands on the fractal releases of "center of the world," both volumes. wow. later jeremiah gave me a copy of church number nine and your prayer. i bought a cd copy of uhuru na umohja at amoeba in LA.

muhammed ali is on this recording. he is the late brother of the late rashied - whom i can say (rashied) goes down in my mind as one of the best live performers ive ever seen (RIP). only mccoy and pharoah survive as the living members of coltrane's ensembles. muhammed - ferocious, swinging, rumbling, finesse. beautiful.

and jean jacques avenel, on bass, whom i have never heard before this recording, is nothing short of amazing.

go to inconstant sol. get the links to this show. and jeeeez what i would do to have been there. but frank wright passed before my interest in him was sparked :(

...though he speaks to me as if we've always been in communion.

Rec. live at the 10th "Moers Festival", Moers, Germany,
on June 6, 1981 (mics recording)

Frank Wright,tenor saxophone,bass clarinet,vocal
Arthur Jones,alto saxophone
Bobby Few,piano
Jean Jacques Avenel,bass
Muhammed Ali,drums

1. Burkhard Hennen Intro (0:45)
2. Track #1 (25:29)
3. Track #2 (12:10)
4. Track #3 (28:03)

Total Time 1:06:29

DOWNLOAD VIA inconstant sol

16.11.09

know your inflorescences


as an amatuer botanist i claim that it is important to know you inflorescences. inflorescences as in flower placement on flowering plants. flowering plants as in angiosperms. check it out! plant time.

wikipedia's page on inflorescences