STREAM THE CHANGING SAME RADIO BROADCAST ON XRAY.FM

FREE THE MIND OF ANALYSIS BECAUSE IT HAS NO MEANING

HARMOLODIC / FREE JAZZ / POST / HARD / AND BEBOP / FUSION / RAGTIME / AVANT GARDE / JASS / SHOUT / 3RD STREAM / STANDARDS / BIG BAND / BLACK MUSIC /FREE JAZZ / POST / HARD / AND BEBOP / FUSION / RAGTIME / AVANT GARDE / STANDARDS / BIG BAND / BLACK MUSIC

2.1.10

stanley cowell - new world



01. 'Come Sunday' - 8:39 (Duke Ellington)
02. 'Ask Him' - 4:46 (Cowell-McBee)
03. 'Island Of Haitoo' - 4:14 (Cowell-Scott)
04. 'I'm Trying To Find A Way' - 7:27 (Cowell-McLaughlin)
05. 'El Space-O' - 8:20 (Cowell-McBee-Haynes)
06. 'Sienna: Welcome To This New World' - 2:43 (Stanley Cowell)

MUSICIANS

Piano, electric piano, prepared pianos, kalimba, hammond organ, orchestra chimes, occasional backing vocals - Stanley Cowell
Bass - Cecil McBee
Drums - Roy Haynes
Percussion - Kenneth Nash
Alto, Tenor and Bass Trombones - Julian Priester
Trumpet, Electric Trumpet, Flugelhorn - Eddie Henderson Piccolo, Flute, Clarinet, Tenor Saxophone - Pat Patrick
Cello - Terry Adams
Violin - Nate Rubin
Vocals - Judy Lacey , Linda Mandolph , Robert Mandolph

PRODUCTION DETAILS

Recorded at Fantasy Studios, Berkeley, November 1978
Arranged and Conducted by Stanley Cowell
Producer - Ed Michel
Engineer - Baker Bigsby
Assistant - Wally Buck
Mastering - George Horn
Art Direction and Design - Phil Carroll
Photography - Phil Bray

stop by never enough rhodes to view original post and get the link to the album. remember to thank them for the info!

24.12.09

Mombasa - African Rythm & Blues 1975


ok so you gotta check this one out -

hot hot hot -

mid 70's - spiritual, african, inspired.

etc.


Credits

Notes

Originally released in 1975 in small amounts on vanished german Spiegelei label.
In memory of Lou Blackburn, the first 100 copies limited vinyl edition include a special Mombasa art card donation. Included card is handmade by the people of Options Care Centre, a non profit organization in South Africa to help AIDS victims and abused women.


get it here at musicology

23.12.09

Rev. Frank Wright Quintet - Live in Moers '81



ok, so, seriously folks - we all know how few and far between frank wright recordings are. and we all know that pretty much every frank wright recording is about as good as it gets. that, combined with the fact that the frank wright albums that are actually in existence (for christ sake, for a musician of such stature, he was so poorly documented), makes us ESPECIALLY lucky that the person(s) at inconstant sol have made available a live and previously unreleased recording of mr. wrights quintet. OMG. as i write this i am listening to it again and...just download it. it is a gem. frank wright is one of a handful of modern musicians whom words do not describe. he was someone who should be listed in jazz history next to armstrong, coltrane, davis, parker, sun ra, mingus, ayler. yet amongst his contemporaries, he was the least recorded, and the few albums that do exist, are either out of print (including the reissue), hard to find, super expensive, or unheard of. dang dog.

i've yet to be more moved by any other musician. frank wright, albeit hard to say, tops my list as my favorite jazz figure of all time. and i can say that now because for years he has been so - i was maybe 21 when i bought a copy of "kevin, my dear son" at house of records in eugene, oregon. my friend jeremiah and i went back to my house (he talked himself out of buying a copy of the album cause we had only heard ESP disk's frank wright trio, which hadn't sunk in yet) and put it on, and about 30 seconds into the first song, he says to me while staring intently at the spinning record "damn dude i should've have bought this."

next i got my hands on the fractal releases of "center of the world," both volumes. wow. later jeremiah gave me a copy of church number nine and your prayer. i bought a cd copy of uhuru na umohja at amoeba in LA.

muhammed ali is on this recording. he is the late brother of the late rashied - whom i can say (rashied) goes down in my mind as one of the best live performers ive ever seen (RIP). only mccoy and pharoah survive as the living members of coltrane's ensembles. muhammed - ferocious, swinging, rumbling, finesse. beautiful.

and jean jacques avenel, on bass, whom i have never heard before this recording, is nothing short of amazing.

go to inconstant sol. get the links to this show. and jeeeez what i would do to have been there. but frank wright passed before my interest in him was sparked :(

...though he speaks to me as if we've always been in communion.

Rec. live at the 10th "Moers Festival", Moers, Germany,
on June 6, 1981 (mics recording)

Frank Wright,tenor saxophone,bass clarinet,vocal
Arthur Jones,alto saxophone
Bobby Few,piano
Jean Jacques Avenel,bass
Muhammed Ali,drums

1. Burkhard Hennen Intro (0:45)
2. Track #1 (25:29)
3. Track #2 (12:10)
4. Track #3 (28:03)

Total Time 1:06:29

DOWNLOAD VIA inconstant sol

16.11.09

know your inflorescences


as an amatuer botanist i claim that it is important to know you inflorescences. inflorescences as in flower placement on flowering plants. flowering plants as in angiosperms. check it out! plant time.

wikipedia's page on inflorescences

17.10.09

Armagnac Spice Cake

This is the best cake recipe in the world.

Armagnac Spice Cake

About 2 tablespoons butter for pan
3 cups white, all-purpose flour, plus some for pan
12 ozs. pitted prunes
2 cups water
1/4 cup Armagnac brandy
1 1/2 cups corn oil
2 1/4 cups sugar
5 large eggs
2 tablespoons vanilla extract
1 tablespoon baking soda
2 1/2 teaspoons ground cinnamon
1 teaspoon ground nutmeg
1 teaspoon ground allspice
1/2 teaspoon ground cardamom
1/2 teaspoon ground cloves
1 teaspoon salt
1 1/2 cups buttermilk

1. Preheat oven to 350 degrees. Butter and flour a 12-cup bundt pan.

2. Combine prunes, water, Armagnac in heavy medium saucepan. Bring to a boil, reduce to low heat, and simmer about 15 minutes, until prunes are tender. Drain prunes, reserving liquid for glaze (below). If there is more than 1/3 cup of prune liquid left, boil until reduced to 1/3 cup. Coarsely chop prunes.

3. In a large bowl, beat oil, sugar, eggs, and vanilla until well blended. In another, smaller bowl, whisk the 3 cups of flour with the other 7 dry ingredients; add to oil-sugar mixture. Add buttermilk; beat just until batter is smooth. Fold in chopped prunes. Pour into prepared bundt pan.

4. Bake on center rack in 350-degree oven until toothpick inserted near center comes out clean—about 1 hour and 5 minutes. Place on cooling rack and make glaze (below).

5. Pierce cake with a skewer 40 or more times. Slowly pour 1 1/4 cups of hot glaze over hot cake. Reserve extra glaze. Cool cake 30 minutes. Turn out onto platter and cool completely. Re-warm extra glaze and serve with cake as sauce.

10-14 servings


Glaze

1/3 cup reserved prune liquid
1 1/2 cups sugar
1 1/2 sticks (6 ozs.) unsalted butter
1/2 cup Armagnac brandy
2 tablespoons light corn syrup
2 tablespoons fresh lemon juice
1 teaspoon baking soda

Combine all ingredients in a heavy saucepan deeper than you think you need. Bring to boil over medium heat, stirring. Interaction of baking soda and lemon may cause sudden, rapid over-boil if you don’t watch pot carefully; lower heat and/or remove saucepan from heat briefly if necessary. Boil 2 minutes. Skim off and discard any “skin” that may develop when reheating glaze to serve as sauce.

Bonairian Stew and Funchi

I got these recipes from some friends that used to live on the island of Bonaire in the Dutch Caribbean. These were local recipes, they go great together.

Bonairean Stew

4 medium-large onions (2 lbs. total weight)
8 large cloves garlic
1 Jalapeno chili (or substitute Serrano or other variety—milder or spicier—to taste)
6-7 large Roma tomatoes (or the equivalent—1-1 1/2 lbs. total weight)
6 medium-large Yukon Gold or other firm, waxy potatoes (3 lbs. total weight)
1 medium-size unripe papaya * (2 1/2 lb.)
1/4 cup annatto oil (see below**)
2 cups water
2 tablespoons salt (or to taste)
1 teaspoon black pepper (or to taste)
2 tablespoons sugar
Dash of nutmeg (optional)

1. Peel and quarter onions; slice coarsely. Peel garlic, trim off root nub, and mince or press. Stem chili and mince finely, including seeds; to minimize heat, discard seeds and white membrane. Core and quarter tomatoes, or halve if using small Romas; if using large tomatoes, cut in 6ths. Peel potatoes. Using 1/2-lb. potatoes, cut in 6ths: halve lengthwise, then cut in 1/3’s crosswise. (Whatever size the potatoes, make 1-1 1/2-inch chunky wedges). Quarter papaya lengthwise, scrape out seeds, peel off all green skin with a vegetable peeler, then cut into1-1 1/4-inch chunks.

2. Heat the annatto oil** on medium, add and sauté sliced onion, stirring now and then, until beginning to caramelize at edges. Add all the cut up vegetables, the water, 3/4 of the salt, pepper, and sugar, and the nutmeg. Reduce heat to medium-low and bring to a boil slowly; stir often but carefully, using a wooden spoon or heat-proof rubber spatula to prevent sticking/burning and breaking up vegetables; reduce heat to a simmer.

3. Cover and cook 10-20 minutes, or until potatoes are done through and papaya is tender and translucent. Taste and correct seasonings, adding remaining salt, pepper, sugar to taste. Serve with Funchi (see recipe).

*Papaya for cooking must be dark green (i.e., not ripe or sweet). It has a subtle, distinctive flavor. The same fruit ripe and raw is bright yellow-gold and sweet. Green papayas are available seasonally at some Asian markets (e.g., Sunrise Market in Eugene).
**Annatto seed, also called achiote, is available at Plaza Latina and some other Latino markets in Eugene. It also can be mail-ordered from spice/imported-food stores. To make annatto oil: In a medium saucepan, sauté 1/4 cup annatto seed in 1 cup corn oil on medium-low heat for 1 or 2 minutes—until seed turns a slightly darker shade of red (but not brown/black). Turn off heat and remove saucepan from burner to stop cooking. Leave for 10-15 minutes to color/flavor oil. Strain off oil and discard seeds. Makes about 1 cup.




Funchi
(Antillean-style, quick-cooked, boiled corn bread*)

1 tablespoon butter, plus some to grease bowl (or substitute corn oil for vegans)
1 1/4 cups cold water
1 teaspoon salt
1 1/2 cups yellow cornmeal
2 1/4 cups boiling water

1. Butter or oil generously a wide, shallow bowl of 5-6-cup capacity; set aside.

2. In a heavy saucepan of at least 6 cups’ capacity, off heat, mix the cold water, salt, and cornmeal. Add to it slowly, stirring well, the boiling water and butter (or corn oil).

3. Place over medium-high heat and bring to an active boil, stirring constantly* with a heavy, heat-proof rubber spatula or a wooden spoon. Cook for 3 minutes, stirring; scrape down sides of pan as needed. Continue cooking 3 more minutes, now mixing really vigorously, until mixture is very stiff and pulls away from sides of pan. Remove from heat. Shake a little water from your fingertips around bottom/sides of buttered bowl.

4. Immediately turn funchi out into the buttered bowl and cover with a plate of the right diameter to just fit inside bowl. Shake funchi down well into the bowl, pressing down on plate, so it molds to the bowl-bottom’s shape. Invert onto the plate or a larger serving plate/platter and cut into wedges. Alternatively: use an ice cream scoop or ladle to shape individual servings* for each plate, and serve directly from the saucepan in which funchi cooked. Serve immediately with some extra butter on top whichever way you choose to do it..

5. Can be microwaved, covered, to reheat without any loss of texture/flavor. Leftovers also can be fried to crunchy in butter/oil.

6 servings

*Funchi was an Antillean staple, eaten in place of bread, in the days before reliable supplies of wheat flour from abroad and European-style bakeries. It remains a “down home” favorite, especially with local stews and soups. Old-school cooks, it is said, repeat in Papiamento (the lingua franca), “Un pa mi, un pa bo, un pe”, (i.e., “One [ scoop] for me, one for you, one for him”) as they stir and serve.

16.10.09

Pasta al Vino Rosso (Pasta in Red Wine Sauce)

Pasta al Vino Rosso

4 1/2 cups dry, somewhat fruity red wine (e.g., Beaujolais, Montepulciano, Zinfandel, Chianti Classico)

5-5 1/2 teaspoons salt

60 grinds very coarse black pepper

Scant 3/4 teaspoon chili flakes

2 tablespoons sugar (or to taste)

2 ozs. pine-nuts (6 tablespoons by measure)

2 heads garlic (more or less, depending on size: enough f/6 tablespoons, sliced, after peeling/trimming)

1 dry pint cherry tomatoes

2 lbs. fettuccine (or other pasta of choice)

1/4 cup (2 ozs./4 tablespoons) olive oil

6 teaspoons butter

1. Combine wine, salt, pepper, chili flakes, and sugar; set aside. In a dry skillet on medium-low heat, stir pine-nuts until lightly toasted, i.e., a shade darker than raw ones, with some flecks of gold. Once hot, they overcook quickly; so do not leave unattended. Remove from heat and set aside. Peel only enough garlic cloves to equal 6 tablespoons after trimming off root nubs and slicing thinly crosswise. Halve cherry tomatoes to equal about 2 rounded cups after cutting.

2. In a large pot of rapidly boiling, lightly-salted water, cook pasta half way only. It should be flexible and somewhat swelled, but still too crunchy to eat and showing more yellowish than white color. Meanwhile, the last 3 minutes pasta cooks, place a very large skillet, or a large, wide saucepan or Dutch oven over high heat. When pan is hot, add and heat olive oil.

3. When pasta is half cooked, quickly drain well and immediately add to olive oil pan. Stir and toss for 1 minute. Add garlic and the wine mixture and continue stirring or turning with tongs until almost all wine is absorbed. Meanwhile, re-warm pine-nuts for a minute or two.

4. Add cherry tomatoes and butter to pasta and continue to cook, stirring, just until tomatoes are hot through. Garnish each serving with toasted pine nuts.

6 servings

Eric Dolohy - Iron Man


dowload via singer saints

Maurice McIntyre - Humility in the Light of the Creator 1969



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